Time will tell whether Transformers: Dark of the Moon really is the final Transformers film for both director Michael Bay and star Shia LaBeouf, but it's certainly the best one in this hugely successful, but widely loathed franchise. It's devoid of Decepticon testicles, Autobot heaven, offensive robots -- and Megan Fox.Download Full HD Movie now
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Transformers: Dark of the Moon definitely has more of a plot than either of its predecessors. There are genuine stakes this time, and it's the first Transformers film where you actually get some sense of physical or emotional consequence to the events that transpire. (That said, the timing of the villains' scheme makes no sense given all that's happened in the series thus far.) Mostly the film works because of its kick-ass 3D action scenes. Transformers 3 could very well be 3D's savior in light of its waning box office appeal in recent months. The 'bots battles have never been more vibrant or entertaining than they are in this installment. Unlike say Green Lantern or Pirates 4, Transformers 3 really is a movie you need to see in 3D. The 3D action highlights transpire mostly during the film's final hour in Chicago, such as the wingsuit jump sequence and the set-piece where Sam, his new girlfriend Carly (Rosie Huntington-Whiteley) and the now-retired Epps (Tyrese Gibson) are inside a collapsing skyscraper.
Bay's action scenes here are bigger, better and more brutal than any in the first two films, even though it's still tough at times to tell the robots apart in battle. That said, the 'bots have far more distinct personalities than in the past movies. When a 'bot dies here, you feel it unlike when Jazz bought it in the first film. But more humans perish here than robots, with scores of poor Chicagoans blasted when the Decepticons establish base camp in the Windy City. (The Chicago invasion sequence alone makes the film worth the price of admission.) The Decepticons are legitimately scary at times here, such as when they invade the homes of their human allies, an assassination sequence that's creepy as $h*!.
